Patricia Kusumaningtyas

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Posts

  • The Rehearsal: Surrender to the inevitable

    The Rehearsal: Surrender to the inevitable

    August 20, 2022
  • A Woman Under The Influence (1974), Opening Night (1977), and arguing for a cinema of collective care

    A Woman Under The Influence (1974), Opening Night (1977), and arguing for a cinema of collective care

    July 17, 2022
  • Vengeance is Mine, All Others Pay Cash (Seperti Dendam Rindu Harus Dibayar Tuntas): Love under the Spectre of State Violence

    Vengeance is Mine, All Others Pay Cash (Seperti Dendam Rindu Harus Dibayar Tuntas): Love under the Spectre of State Violence

    March 20, 2022
  • The Washing Society and Jeanne Dielman: Making the Invisible Visible

    The Washing Society and Jeanne Dielman: Making the Invisible Visible

    December 13, 2021
  • (NYFF review) Memoria: Rethinking the Purpose of Film with our Feeble Memories

    (NYFF review) Memoria: Rethinking the Purpose of Film with our Feeble Memories

    October 11, 2021
  • (NYFF Review) Red Rocket: A Portrait of a Flawed Empire

    (NYFF Review) Red Rocket: A Portrait of a Flawed Empire

    October 1, 2021
  • Titane: Not for the Squeamish? Not for the Heartless

    Titane: Not for the Squeamish? Not for the Heartless

    September 28, 2021
  • Mistress America: A Life Beyond 116th Street

    Mistress America: A Life Beyond 116th Street

    September 19, 2021
  • the impressionists and the circle game

    the impressionists and the circle game

    August 24, 2021
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Patricia Kusumaningtyas

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